After watching Solaris, last Thursday friend and I were back at the Astor Theatre for more of Andrei Tarkovsky‘s meditative, arty, defiantly slow sci-fi. I love the story I read where, upon hearing from the officials at the State Committee for Cinematography that the film was too slow and dull, Tarkovsky’s reply was that the film “needs to be slower and duller at the start so that the viewers who walked into the wrong theatre have time to leave before the main action starts”.
They’re showing a couple of Andrei Tarkovsky films at the Astor Theatre this month, so friend and I went to see this 1972 Soviet sci-fi classic. The pitch I made to my friend was, are you up for some slow and boring Russian sci-fi, an in-joke as we both appreciate slow-paced movies that are more about submerging yourself rather than going on a thrill ride. Solaris is definitely not for everybody and I saw a couple of walkouts in the cinema, but if you can surrender to its glacial pacing and penchant for ambiguity, it’s a rewarding experience and leaves you with much to think about.