After the Wedding – Film Review

I’ve had something like a Danish withdrawal after binge-watching my way through three seasons of Borgen, the most excellent Danish political TV series. I got rather used to the sound of Danish vowels and occasional tak coming from my TV, so I watched this 2006 Academy Award nominee for Best Foreign Language Film.

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Farewell, My Queen – Film Review

The royal palace of Versailles and its doomed queen Marie Antoinette get a new perspective in this French film, which covers the last fraught days of the monarchy through the eyes of a young woman serving as the queen’s official reader. While ultimately somewhat slight, the movie’s eavesdropping-on-history approach is compelling, and gains a lot from being shot at the real location.

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The Square – Film Review

This Swedish Palme d’Or-winning film is a sprawling satire of the contemporary art world and is a bit like a modern art installation itself: you’re not always sure about the artist’s intent, it may feel baffling, confronting or tedious, but at its best it can leave you with some indelible imagery and food for thought.

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Open Your Eyes – Film Review

A mind-bending Spanish psychological thriller with Penelope Cruz, which later was remade as Vanilla Sky, an ill-received American version with Tom Cruise and, bizarrely, Penelope Cruz again. I’ve watched this in a rather groggy state of mind after a poor night’s sleep, and the movie’s twists and turns definitely perked up my brain by the end of it all.

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Ida – Film Review

idaEvery still from this Polish black-and-white movie deserves to be put in a frame and hung on the wall – filmed with a photographer’s eye for composition and juxtapositions of light and dark, it’s one of the most striking films I’ve seen. It’s perhaps too restrained and minimalist for me to find it truly affecting, despite its emotional revelations, but the photography and the two compelling central performances make it a worthwhile watching.

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Let the Right One In – Film Review

let-the-right-one-inExcellent Swedish adaptation of John Ajvide Lindqvist‘s macabre novel, which is one of the more original takes on the well-trodden vampire genre and is as far from the romantic and glamorous depictions of vampires in popular culture as you can imagine. It’s also a movie about children that is in no way meant for children.

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