A perfectly watchable and enjoyable period romantic comedy-drama, with gorgeous scenery, decadent costumes and a fantastic role for Michelle Pfeiffer. I still couldn’t help but feel that it was a bit of a wasted potential, considering the talent involved.
A lesser-known Hitchcock movie about survivors of a German U-boat attack during World War II, this tense survival thriller, set almost entirely aboard a tiny lifeboat, definitely deserves more love and attention.
In this era of overlong and overstuffed movies, it’s nice to see a very simple story told well in under two hours, like this tender, sensitive and gentle modern fairytale from the French filmmaker Céline Sciamma.
I really enjoyed this peculiar, freewheeling Norwegian dark comedy-drama about a young woman battling indecisiveness as she approaches 30s, despite some problems with the writing that made it feel a tad shallow.
Another Australian cinema classic I always meant to watch for the last twenty years, Lantana is a moody and incisive examination of trust and fractured relationships, finely interweaving complex character drama with a police investigation.
This camp classic-slash-disaster would have been a pretty forgettable movie if not for Faye Dunaway‘s unhinged, all-guns-blazing performance that somehow transcends the conventional ideas of “good” or “bad” acting. It is truly something else.
I had mixed feelings about this slow-burn Netflix drama initially, but then I found myself thinking about it for days afterwards, so the least I can say for it is that it lingers.
Pedro Almodóvar’s latest film with Penelope Cruz mixes personal drama and political commentary in a warm, empathetic, twist-laden story about two very different single mothers.
I finally got around to watching Akira Kurosawa’s groundbreaking and influential 1950 masterpiece about the nature of truth. Though many movies since have borrowed its unconventional narrative structure and the idea of multiple perspectives of the same event, the film still remains an effective and striking watch today.
Hugh Jackman’s layered performance – probably his finest in a long and varied career – is the main reason to watch this uneven movie, based on a real-life high school embezzlement scheme.