New music 06/2017 – The XX, Goldfrapp, Seis Cuerdas, Nick Cave

The xx – I See You

Like many people, I adored this band’s hushed minimalist debut, but then came the dreaded second-album dilemma: where to go next after you’ve already emerged as a fully formed deal with the sound, image and mood all perfected? More often than not it’s a course of diminishing returns, more of the same but not quite as good. Luckily, on this third album the xx seem to have figured out how to move on by embracing a wider range of influences, samples and vocal loops, and the end result sounds both fresh and unmistakably like the xx.

There’s also a greater variety of mood; while it’s not necessarily a “happy” album some songs sound decidedly more optimistic and upbeat. Romy Madley Croft and Oliver Sim may not be great singers in a conventional sense – neither of them has much depth or range – but they know their way around limitations and their vocal interplay still remains enchanting. A couple of songs in the middle of the album sticks closer to the blueprint of the debut, and while they’re fine the best tracks are the ones where the band push themselves.

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Hans Zimmer @ Rod Laver Arena

Hans Zimmer’s name might not be instantly recognisable among the general public, but most people would know the popular films he had scored: Gladiator, The Lion King, Inception, Christopher Nolan’s Batman trilogy, The Rock, and many more. An impressive body of work to say the least. I have my sister and her husband to thank for letting me know about this concert: they’re big fans of Zimmer’s work and were blown away when they saw his show in Prague last year. I could only afford cheap tickets at the very top of the arena, which unfortunately blocked about a third of the orchestra from view, but in the end it didn’t matter so much.

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New music 12/2016 – Christine and the Queens, PJ Harvey, Bat For Lashes, Cat’s Eyes

More like, music I got ages ago but didn’t get to write about, but better late than never.

Christine and the Queens – Christine and the Queens

Why does everything sound so much more charming when it’s sung in French, or with a French accent? Christine and the Queens is the androgynous alter ego of the French singer Héloïse Letissier, who alternates between English and French on this album but is at her most appealing when she sings in her mother tongue. Catchy, top-notch electronic pop with some provocative lyrics.

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New music 08/2016 – Radiohead, Olympia, Ladyhawke, The Unthanks

Radiohead – A Moon Shaped Pool

Radiohead have always been a band I found easier to admire than to love. I’m very fond of The Bends and there’s a good dozen songs of theirs that move me deeply, but I never felt an urge to own a whole Radiohead album since their second one. So I’m rather surprised to find that I dig their latest so much. It’s probably their prettiest album; while they haven’t abandoned their weird eerie electronica thing the emphasis here seems to be more on the orchestral arrangements, with gorgeous strings and sad pianos. Thom Yorke’s vocals, which in the past I often found too nasally and strident for my liking, has also never sounded more gorgeous.

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Sleater-Kinney @ The Croxton

sleater-kinneyA mid-week gig in Thornbury that’s unlikely to start before 10 pm would normally be a terrible prospect, especially during a week that’s already been sleep-deprived because of a late Mad Max showing at the Melbourne IMAX theatre. But if there’s any act worth going deaf in one ear and feeling like a zombie at work the next day for, it’s these amazing ladies.

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Gillian Welch @ Palais Theatre

welch_g_1-600x340I had such great time at this concert. Beautiful venue and incredibly enthusiastic audience; I’m used to the Melbourne crowd being reserved, but from the moment Gillian Welch and David Rawlings, her musical partner (and amazing guitarist), walked onstage they got nothing but cheers and rapturous applause throughout the show.

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New Music 01/2016 – Sarah Blasko, John Grant

Sarah Blasko Eternal Return

Sarah Blasko’s musical output over the years has been remarkably consistent and she’s not about to trip over with her fifth album – this one a tad more pop orientated and synth-heavy, with 80s flavour to some of the songs. Quality listen and solid songwriting from start to finish. I can’t say I’ve ever been emotionally moved by her music – even at her most confessional there’s just something chilly and distant about it all – but there’s definitely something very beguiling about her and her raspy-yet-ethereal voice.

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Father John Misty @ Forum Theatre

2015FatherJohnMisty_Web_Glasto15_9548_DB270615.heroI really liked I Love You, Honeybear, the second album by Father John Misty (real name Josh Tillman), silly title and all, so when I heard he was touring Melbourne I jumped at the chance to see him live. Besides, Forum Theatre is probably my favourite music venue in Melbourne and it’s always nice to be there again under its fake starry sky.

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