The xx – I See You
Like many people, I adored this band’s hushed minimalist debut, but then came the dreaded second-album dilemma: where to go next after you’ve already emerged as a fully formed deal with the sound, image and mood all perfected? More often than not it’s a course of diminishing returns, more of the same but not quite as good. Luckily, on this third album the xx seem to have figured out how to move on by embracing a wider range of influences, samples and vocal loops, and the end result sounds both fresh and unmistakably like the xx.
There’s also a greater variety of mood; while it’s not necessarily a “happy” album some songs sound decidedly more optimistic and upbeat. Romy Madley Croft and Oliver Sim may not be great singers in a conventional sense – neither of them has much depth or range – but they know their way around limitations and their vocal interplay still remains enchanting. A couple of songs in the middle of the album sticks closer to the blueprint of the debut, and while they’re fine the best tracks are the ones where the band push themselves.


It’s been a long five year break since her last visit, but PJ finally made her way here with her latest tour and I made it to my ninth PJ concert. Short review, it was awesome (again). Passionate, intense, musically and vocally perfect, great crowd.
Christine and the Queens – Christine and the Queens
Radiohead – A Moon Shaped Pool
Went to see John Grant at my favourite music venue in Melbourne, for a night of exquisite balladry and funky grooves.
A mid-week gig in Thornbury that’s unlikely to start before 10 pm would normally be a terrible prospect, especially during a week that’s already been sleep-deprived because of a late Mad Max showing at the Melbourne IMAX theatre. But if there’s any act worth going deaf in one ear and feeling like a zombie at work the next day for, it’s these amazing ladies.
I had such great time at this concert. Beautiful venue and incredibly enthusiastic audience; I’m used to the Melbourne crowd being reserved, but from the moment Gillian Welch and David Rawlings, her musical partner (and amazing guitarist), walked onstage they got nothing but cheers and rapturous applause throughout the show.
Sarah Blasko
I really liked I Love You, Honeybear, the second album by Father John Misty (real name Josh Tillman), silly title and all, so when I heard he was touring Melbourne I jumped at the chance to see him live. Besides, Forum Theatre is probably my favourite music venue in Melbourne and it’s always nice to be there again under its fake starry sky.