New music 06/2017 – The XX, Goldfrapp, Seis Cuerdas, Nick Cave

The xx – I See You

Like many people, I adored this band’s hushed minimalist debut, but then came the dreaded second-album dilemma: where to go next after you’ve already emerged as a fully formed deal with the sound, image and mood all perfected? More often than not it’s a course of diminishing returns, more of the same but not quite as good. Luckily, on this third album the xx seem to have figured out how to move on by embracing a wider range of influences, samples and vocal loops, and the end result sounds both fresh and unmistakably like the xx.

There’s also a greater variety of mood; while it’s not necessarily a “happy” album some songs sound decidedly more optimistic and upbeat. Romy Madley Croft and Oliver Sim may not be great singers in a conventional sense – neither of them has much depth or range – but they know their way around limitations and their vocal interplay still remains enchanting. A couple of songs in the middle of the album sticks closer to the blueprint of the debut, and while they’re fine the best tracks are the ones where the band push themselves.

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New music 12/2016 – Christine and the Queens, PJ Harvey, Bat For Lashes, Cat’s Eyes

More like, music I got ages ago but didn’t get to write about, but better late than never.

Christine and the Queens – Christine and the Queens

Why does everything sound so much more charming when it’s sung in French, or with a French accent? Christine and the Queens is the androgynous alter ego of the French singer Héloïse Letissier, who alternates between English and French on this album but is at her most appealing when she sings in her mother tongue. Catchy, top-notch electronic pop with some provocative lyrics.

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New music 08/2016 – Radiohead, Olympia, Ladyhawke, The Unthanks

Radiohead – A Moon Shaped Pool

Radiohead have always been a band I found easier to admire than to love. I’m very fond of The Bends and there’s a good dozen songs of theirs that move me deeply, but I never felt an urge to own a whole Radiohead album since their second one. So I’m rather surprised to find that I dig their latest so much. It’s probably their prettiest album; while they haven’t abandoned their weird eerie electronica thing the emphasis here seems to be more on the orchestral arrangements, with gorgeous strings and sad pianos. Thom Yorke’s vocals, which in the past I often found too nasally and strident for my liking, has also never sounded more gorgeous.

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