I’ve always had a soft spot for this black sheep of the Alien franchise, probably because I can never hate a movie that’s so utterly bizarre. Since I’ve re-watched Alien 3 recently I thought I might go back and bask again in its weird, awkward, misshapen glory.
There are few things more enjoyable than a big bold old-fashioned melodrama done well, and this new version of an old story with Bradley Cooper and Lady Gaga is melodrama with a whole lot of heart done very very well.
I continued my recent Danish streak with this historical film about adultery and Enlightenment in the 18th century Denmark, which succeeds both as a sweeping romance and a tense political drama.
My usual stance on this movie is living in Denialville; lalalalala not listening, Ripley, Newt and Hicks made it back to Earth and lived happily ever after with Jonesy the cat. For whatever reason, recently I felt an urge to revisit this dour and divisive entry in the Alien franchise, maybe because watching Alien: Covenant gave me a new appreciation for the installments that at least attempted to do something different.
This gripping crime drama (winner of the Best Foreign Language Film at the 2010 Academy Awards) is the first film from Argentina I’ve seen. I definitely would like to watch more.
I’ve been watching bleak and moody Danish noir lately, so I thought I’d change it up and watch some bleak and moody Norwegian noir instead, namely this 1997 thriller with Stellan Skarsgard.
I finally made time to catch Spike Lee’s latest. The trailers have been selling it as something like a buddy cop comedy based on an incredible true story, but while the movie is very entertaining and imbued with a great dose of humour, Lee’s ambition goes much further than that.
